An activist group has stated to have scraped a vast number of tracks from the popular streaming service and is getting ready to release them online.
Potential Impetus for AI Development
Observers said the apparent leak could boost AI companies looking for data to develop their technology.
An entity known as Anna’s Archive said it had scraped 86 million music files from Spotify and 256 million entries of metadata such as performer and album names. The company, which carries more than 100 million tracks, confirmed that the leak did not constitute its full inventory.
“We have located and deactivated the nefarious user accounts that were involved in illegal scraping,” stated a Spotify spokesperson.
The Swedish service, which has more than 700 million users worldwide, further explained that an inquiry into unauthorized access found a external actor scraped public metadata and used illicit tactics to circumvent DRM [digital rights management].
Group's Declared Goal and Worries
The streaming service does not believe the audio taken by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, said in a blog it wanted to create a ‘historical repository’ for music.
They asserted the music files accounted for 99.6% of all music streamed to by Spotify users and would be shared via ‘torrents’, a means of exchanging large data files online.
“Of course the service doesn’t have all the music in the world, but it’s a great beginning,” commented Anna’s Archive, which frames its mission as “preserving humanity’s knowledge and heritage”.
AI Training and Intellectual Property Battleground
A composer and campaigner for protecting artists’ rights, remarked the breached music would probably be utilized for developing artificial intelligence systems.
“Training on illegally sourced data is unfortunately common in the AI industry, so this stolen music is almost certain to end up instructing AI models,” he said.
The Anna’s Archive site makes references to LibGen, a vast online archive of pirated books that has reportedly been leveraged by the parent company of Facebook to train its AI models.
The co-founder of an artificial intelligence company wrote on the professional network that members of the public could in theory “build their own personal free version of Spotify”. He said it could also allow tech companies to “educate models on modern music at a large volume”.
Intellectual property law has become a battleground between artists, authors and content creators on one side and tech giants on the other.
Policy Proposals and Reactions
In the UK, artists and writers have protested against a ministerial suggestion to let AI companies utilize copyright-protected work without permission unless the rights holder signals. Virtually every respondent to a government call for evidence on the proposal has supported artists’ apprehensions.
A government minister for science, innovation and technology informed parliament this month there was “no clear consensus” on the issue, adding that ministers would “take the time to get this right”. The administration has pledged to make policy proposals on AI and copyright by next year.